Archive for the ‘mp3’ Category

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Horse Meat Disco

September 30, 2010

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Born in London, Horse Meat Disco is four DJ’s who curate vintage New York disco, real Italo, and new rarities to form a different kind of dance party. They’ve successfully grown their schtick to residencies at The Eagle, London, Lux in Lisbon, Tape in Berlin and Cihan in Istanbul. Currently, they are promoting a new mix, “Horse Meat Disco Volume 2″ out now on Strut/k7! Records. On Thursday, October 7th, Horse Meat Disco lays it long for Stardust’s 2nd Anniversary at Berlin Nightclub. This will be their Chicago debut, and they’ll be joined by Clique Talk (Live), Chrissy Murderbot and Kid Color. I was able to get them to answer some questions about their scope, their party and their style (FYI, they love American breakfast). Read the Q & A and check out a download link and teaser mix below!

The name “horse meat disco” is really “out,” maybe even confrontational. What kind of limitations or opportunities has this presented?

The name came from a newspaper headline that read “horse meat discovered in british salami.” James noticed it had been partially obscured so the name was a mistake really – it just sounded slightly sleazy. People love the name and really want to know where it came from but it hasn’t presented any limitations, in fact quite the contrary.

How long have you been doing this? What has changed?

Seven years, the scene has got bigger that’s the major change–that people’s eyes and ears are more open to the sound out in clubland.

Who is your audience? How is it different from other gay communities? Are you concerned with creating a community?

Our audience has always been a pretty mixed affair. We started the club seven years ago because we were tired of the same old gay clubs in London where women and straight people weren’t made to feel at home. We cut our teeth in mostly straight clubs and we wanted a queer space where all our friemds were welcome – gay, straight or otherwise.

What about trends? There’s new-disco, fashion, ebbs and flows of house music. Since all the “real” disco was made back in the day, how does Horse Meat Disco relate to current and passing trends in order to keep the party relevant?

We have always tried to keep a hand in what’s playing out there at the minute. A couple of us play newer records as well as real disco  really tend to dig deep into the vaults. Having said that, I think part of our success is the shared knowledge we all have and the sense of diversity that we all tend to introduce to our sets.

What’s exciting to you about touring the states? What’s exciting about chicago?

The musical heritage in America feels greater in terms of soul, funk, disco and dance music so people are really open to what we do. We love the breakfasts, the record shopping and the scale of the USA. Chicago is the home of HOUSE! I’ve only been there once a long time ago and can’t wait to play there

MP3 of “Cherchez Pas” by Madleen Kane, from Horse Meat Disco 2

Preview mini-mix for “Horse Meat Disco 2:”

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Weekend Jam – THE HOOD INTERNET vs DVAS vs KID STATIC

June 25, 2010

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I know it’s pride weekend and I haven’t blogged about events or marches or drinks or all the other good stuff that goes on in Chicago. I’m sure you have a facebook, and I’m sure you’re cool friends keep you informed. Be sure to come to the Dyke March though. It’s trailblazing over in South Shore this year, and it should be just as historical and epic as when it moved to Pilsen. When you are out and about, make sure to keep some sunscreen on, watch out for roofies, wear a bike helmet and take Monday off! It’s a gay holiday. Finally, be sure to have hot jamz on cue. The Hood Internet continues to do no wrong with this new DVAS track featuring recent Chicago to L.A. MC Kid Static. It’s a scorcher.

DVAS – Society (The Hood Internet Remix feat. Kid Static) by hoodinternet

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Crystal Castles’s Ethan Kath Is Making Me WOOF

June 21, 2010

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“Baptism,” the fourth track on Crystal Castles II, continues to fill my need for day time catharsis. Its mix of euro-dance and extreme noise take you from uncomfortable and pressured to a 32 bar club synth riff and really, this is quite sophisticated. Quick notes: Ethan Kath is totally smoking hot. Also, if you tweet something bad about Crystal Castles, Ryan5000 will diss you or prove you wrong. Try it!

Crystal Castles – Baptism

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ceo – Come With Me

June 18, 2010

Everyone’s blogging about this song – for good reason. Basically, it’s an OMD song, don’t kid yourself. This song could come right out of OMD’s best album Sugar Tax, and that’s high praise. That record came out in 1991, and I wonder if ceo’s Eric Berglund is old enough to be retro. If he’s not old enough to have grown up with OMD and Simple Minds on the radio, then the resemblance is that much more remarkable. I’m not one to begrudge someone’s sound as a direct descendant of another’s, as long as the heart is there. And the minor synths and earnest yearn is in this song make me SWOON! I’ve not been thrilled with any Touch Alliance album proper (Berglund’s first band) so if this solo debut (White Magic) is a step up, I’m excited.

ceo – Come With Me

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The National’s Conversation 16 Is My Springtime Mope Fest

May 6, 2010

Click here for stream and DL:  The National – Conversation 16

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TPR Is On ‘Hit It Or Quit It’

May 4, 2010

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As Vocalo.org continues to reimagine what Chicago’s South-side and NW Indiana want from their speakerbox, they’ve added bigger names and fresher faces. Hit It Or Quit It is a new podcast hosted by local feminist and Chicago Reader columnist Jessica Hopper, along with JR Nelson. The podcast is produced by Michael Catano, and you can follow them on twitter @hititpodcast, via email at hititpodcast((@))gmail.com, or at vocalo.org/hitit . So far, there are three downloadable pods, each with their own special guests. I was called to be the “queer on the street” or “gay in the club” or “light in the loafer” and we chatted about Chicago’s best queer dance parties, banging records for this summer and what I like about community. HIOQI #3 also features call-ins from  Cody Critcheloe of SSION and Rock critic Nick Sylvester, but I come in at about the 20 minute mark. Cool! Can’t wait for more pods from Hopper and Nelson, they were a nice pair of hosts really attuned to Chicago’s landscape. No wonder they called me! Click here to go to the pod.

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I Love It When Albums Leak

April 21, 2010

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It’s just dumb, to have a record finished, knowing it will leak, and not release it. What are labels waiting for? To market it? Blogs already do that, unpaid and without being asked to. If labels could get over it and move the fuck on they’d engage the mechanisms that are already in place for music distribution instead of trying to fight them. The latest I heard about the MPAA and RIAA’s plans for putting a HALT! STOP! on pirating was unbelievabley disconnected from reality. It’s almost as if they think that consumers are just waiting for the right way for the industry to screw us, and we’ll surely allow them. Life has moved on from the old distribution model, meanwhile the execs are scrambling for a time machine. In any case, I have the new Crystal Castles, and I’m liking it. It’s a little mellower than the first, and that’s funny. Why? Because I always said these two were PUNK, and it’s classic Rock ‘N Roll that a punk band’s 2nd record isn’t as gritty.

Thanks Crystal Castles! Thanks for not breaking up and making another record! I’ll buy the vinyl. For now, I’m jamming on my portable mp3 player.

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Grey Oceans

April 12, 2010

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* This is the cover for the vinyl version

Opening track “Trinity’s Crying,” didn’t really have me dripping with excitement for the new album by CocoRosie. Sparse in arrangement with no chorus to speak of, the only thing you are left with is Sierra Cassidy’s opera voice singing the title over and over–who or what is Trinity and why do I care if she’s crying? As it turns out, Grey Oceans, the sisters’s fourth full-length, is just that: an opaque collection of somber, protracted waves. Mostly an album of ballads, even when the songs pick up a stray rhythm (think freaked out, opium-infused hip hop), they are quickly stuttered apart by that Cassidy sense of timing. First single ”Lemonade” is the closest Grey Oceans comes to traditional pop structure, however as an album teaser, it’s a gentle, valium-dosed sea creature not preoccupied with making splash. That’s where you get hooked, though. On each record, these women strip away any and all commercial aspirations to make their own space; it’s a feminine cocoon impenetrable by inattentive ears so when you dive into a Cocorosie record, you are like a lucky visitor who happened upon the Cassidys’s private skinny-dip. Undeniable is the singularity of Sierra’s soprano and Bianca’s Betty Boop–together these naturally alien voices are the most unique on the indie plank, and Grey Oceans is another record where a close look gets you lasting impressions of their world. Recorded in four different countries, the children’s toys and plucked harp (perhaps the touchstones of CocoRosie’s sound) are accentuated by boozy synths and acoustic piano, but what sets this record apart from the rest of their catalogue is the clearest peek into CocoRosie’s influences. Laurie Anderson, Bjork, Nina Simone, Aaliyah, and the Slits are all referenced here, submerged in a delicate poach and spit out into a body-temperature pool. If Trinity’s crying, her tears don’t beg for help, they beg attention. Grey Oceans is out in early May.

CocoRosie – Here I Come

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Chrome Hoof

April 5, 2010

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Not for the faint of heart, Chrome Hoof are from outerspace and they’ll back it up with a suitable suits and a spazztic alchemy of sounds: metal, disco, post-punk, electro and funk. The new album is called Crush Depth and is out in June on Southern. A  slight softening of their sound, it has an 8-Bit Dance backdrop to its doom-inflected psychedelia, but this STILL isn’t the friendliest music. Below, a hard dance-punk song from the earilier days.

Chrome Hoof – Leave This Ruined Husk

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Zola Jesus

April 5, 2010

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Zola Jesus were the first of four bands to play on Saturday night at Lincoln Hall (also on the bill:Talk Normal, tUnE-yArDs and Xiu Xiu for a kick-ass bill, Lincoln Hall keeps WERQUING me). With the room half-full, the trio came on the stage and it was immediately apparent I was lucky to have seen it. Nika Roza Danilova filled the room with her huge, Stevie Nicks-like voice and the band was all thick, pulsing darkness. The kind of aural malaise only propped up by it’s own beauty, I was instantly a fan. Zola Jesus is playing a headlining show at Schubas on June 27th. Tickets here.

Zola Jesus – I Can’t Stand

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