Archive for April, 2010

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Vaca Sacra

April 13, 2010

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When I interviewed Adam Rose for TPR, I was left with the impression that his performances are a genuine reaction to the world around him, and the dark forces channelled through Antibody Dance, his dance company, are very real to him. A rejection of irony from a young, engaging artist is like a cool, tall boy on a hot day, and (I’ve said it before) Chicago is blessed to have him. In person and out of costume, Rose is gentle with a shy brow, and it goes without saying that someone serving anti-christ realness in a jet-black bob and tights has my undivided attention. Antibody’s latest, Vaca Sacra (Sacred Cow), was premiered in Mexico this winter, this will be Chicago’s first opportunity to see it. From the press release:

Vaca Sacra is a work for three dancers who embody a nun, a cowboy, and a businessman. The sound design and choreography steal elements from Mexican and American culture to describe neither, instead creating a separate world from distorted fragments of each. The result is something like a southwest noir. The Antibody mirrors processes of cultural exchange and fragmentation initiated by the global market, devouring cultures in order to feed itself. In this destructive and creative process, occult connections emerge, between Hollywood and Bollywood, Christianity and cannibalism, Baroque master/slave relationships and contemporary politics.

Titty Perkins, Silvita Diaz Brown, Lisa Frank, Aisha Bell, Craig Donavin and Ishtar Bukkake are also on the bill. The April showing will be at The Op Shop, 1530 E. 53rd Street, on Friday, April 23rd, at 7pm.

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A Gay Officer At War

April 13, 2010

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*Portraits of gay men and lesbians in the armed services, faces hidden, were taken by Jeff Sheng for his book, “Don’t Ask, Don’t Tell.”

I can’t really put into words the inspiration displayed by this anonymous, gay armed services veteran keeping an online journal. Ultimately, it’s stories like these that put my cushy life into perspective and shed light on the privelage it is to “make art” or “complain.” Here is the description, and some quotes below it. Read RD’s journal entries here.

RD is the pseudonym of a 10-year armed services veteran recently returned from Afghanistan.  A psychologist and long-serving veteran, this officer had to deal with both the traumas of the troops in front of him, and the psychic wound of his own situation: the risk that if he spoke frankly about his life to any colleague, he could find himself ejected from the war and the army

“Moral laws do not force people to lie or pretend to be something they are not (a kind of lie itself). Even worse this law creates barriers between people and mandates a certain level of isolation and loneliness. It will drive me from the military. It is the main reason I am leaving the service when I return from Afghanistan. Despite a severe shortage of psychologists and two wars the military will lose me.”

“…the religious fundamentalists in Afghanistan are strikingly similar to religious fundamentalists in America – who are also trying to force their literal interpretation of Holy Scripture onto everyone else through laws. While I served in Afghanistan the American “cultural war” exploded with California’s Proposition 8 and the pending discharge of an 18-year decorated combat pilot under “Don’t Ask, Don’t Tell”.

“One soldier stated the only way Command would ever realize how overstretched his men are would be if he started killing people. He then stated he was so angry he would kill his Commander and no one could stop him.”

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Grey Oceans

April 12, 2010

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* This is the cover for the vinyl version

Opening track “Trinity’s Crying,” didn’t really have me dripping with excitement for the new album by CocoRosie. Sparse in arrangement with no chorus to speak of, the only thing you are left with is Sierra Cassidy’s opera voice singing the title over and over–who or what is Trinity and why do I care if she’s crying? As it turns out, Grey Oceans, the sisters’s fourth full-length, is just that: an opaque collection of somber, protracted waves. Mostly an album of ballads, even when the songs pick up a stray rhythm (think freaked out, opium-infused hip hop), they are quickly stuttered apart by that Cassidy sense of timing. First single ”Lemonade” is the closest Grey Oceans comes to traditional pop structure, however as an album teaser, it’s a gentle, valium-dosed sea creature not preoccupied with making splash. That’s where you get hooked, though. On each record, these women strip away any and all commercial aspirations to make their own space; it’s a feminine cocoon impenetrable by inattentive ears so when you dive into a Cocorosie record, you are like a lucky visitor who happened upon the Cassidys’s private skinny-dip. Undeniable is the singularity of Sierra’s soprano and Bianca’s Betty Boop–together these naturally alien voices are the most unique on the indie plank, and Grey Oceans is another record where a close look gets you lasting impressions of their world. Recorded in four different countries, the children’s toys and plucked harp (perhaps the touchstones of CocoRosie’s sound) are accentuated by boozy synths and acoustic piano, but what sets this record apart from the rest of their catalogue is the clearest peek into CocoRosie’s influences. Laurie Anderson, Bjork, Nina Simone, Aaliyah, and the Slits are all referenced here, submerged in a delicate poach and spit out into a body-temperature pool. If Trinity’s crying, her tears don’t beg for help, they beg attention. Grey Oceans is out in early May.

CocoRosie – Here I Come

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We See You John Parot

April 9, 2010

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John Parot once introduced himself to me at the MCA. It was one of the first weekends for the museum’s Andy Warhol exhibit, the BF and I walked in and John came right up to us, said he was Chicago’s foremost expert on Warhol history, and proceeded to walk us through the gallery. His humor, energy and sassy arrogance notwithstading, the funny part was that he and I had already met, several times, he’d just forgotten. He’s the kind of gay a little oblivious to his surroundings that’s constantly creating outlandish scenarios in his head while others are talking, and then interjecting said unrelated scenario into the conversation, inevitably leading to uproarious group laughter.

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*From John Parot’s Soft Prison

I’d be less willing to dish personal deets about a former-Chicagoan (now LA) and cutie artist friend, but he’s been holed up in nowhere land and the reason has finally surfaced. He’ll be a contestant on Bravo’s new reality show “Work of Art.” From the website: “Work of Art: The Next Great Artist will bring together fourteen aspiring artists to compete for a solo show at a nationally recognized museum and a generous cash prize. In each episode, contestants are faced with the challenge of creating unique pieces in a variety of mediums such as painting, sculpture, photography, collage and industrial design. Completed works of art will be appraised by our panel of top art world figures alongside a new celebrated guest judge every week.”

Sooooooo I’m thinking John could take over. He always did.

Below, John made the animations for Logan Lynn‘s music video to “Bottom Your Way to the Top,” filmed at Chicago’s Touche.

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True Chat Story

April 8, 2010

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Him: its crappy out
Me: yes
i was rained on and didn’t like it
Him: Lol. Not fun.
Me: being rained on is one of my least favorite things
Him: Yeah its right up there with being shit on for me
Me: um
  i guess being shit on would be worse for me?
Him: I’m just saying…I hate it that much
Me: oh ok
  did you get your haircute?
Him: I did. And I trimmed my beard short. I’m looking pretty fly today
Me: nice
 maybe you lost that pound!
  get it?
Him: Lol. yes
Me: from all the shorn hair?
Him: got it babe
—————–
Him: i witnessed a hilarious moment on the train this morning
Me: oh yeah?
Him: This man was sitting on the outside seat (the window side being empty) with his suitcase next to him. The train got pretty packed and there were tons of people standing.
This woman got on and walked over to the guy. Unless you were blind, you couldn’t help but notice that she was extremely pregnant.
So she says to the guy, “is there something on that seat or can i sit down?”
He looks at it and says, “no, looks fine to me.” So he moves his legs to the side so she can try to get through. It’s very clear immediately that she can’t, but he just stays there.
 The guy across from them says, “dude…she can’t get through. stand up and let her through.” the girl says, “yeah, sorry, i’m 8 months pregnant and can’t do it.”
Me: what a dick
Him: The guy must have made a face or something because the other guy then says “it’s called chivalry, ever heard of it?” The rude guy says “no. i haven’t actually.”
Me: oh god
“it’s called chivalry”
Him: The other guy says, “well it starts with simply being polite.” The rude guy says “oh sorry, i’m from New York, we don’t do polite.” The other guy says, “Well, we do here. Welcome to Chicago. Oh, I’m sorry. You said you were from New York. Let me try that again. Welcome to Chicago, Bitch.”
Me: YESSSSSS
did you laugh out loud?
Him: i almost spit out my coffee
Me: nice
Him: pretty much everyone was laughing
Me: dumb new yorkist dick

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Fish Out Of Water DVD Release Party

April 8, 2010

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It’s with great Chicago pride that I support Fish Out Of Water, a documentary about the Bible and homosexuality. After a great run on the screen, the movie is finally getting a DVD release! Sure to be included in our collective history, the DVD represents the importance of sustained communication with groups and demographics both inside and outside our immediate LGBT’s. The party is, as to be expected, a fun, queer curve ball with drag,  soul, comedy and music. Come by! Tuesday April 20, 2010 8:00pm – 11:00pm at Lincoln Hall, 2424 North Lincoln Avenue. You can get your advance tix here.

From the Facebook invite:

The day has come! Fish out of Water will be available for purchase on DVD 4/20 and we’re celebrating with a “Locally Grown” showcase of some of Chicago’s finest talent!

We’re having a DVD Release Party Tuesday, April 20th at the incredible Lincoln Hall, hosted by “Homo Genius” Cameron Esposito and featuring:

JC Brooks and the Uptown Sound with Special Guest rapper Rita J
Lady Tajma Hall
DJ Butch Cassidy of Chances Dances
DJ Erik Roldan of Think Pink Radio
And sneak peeks of Fish out of Water!

$5 cover
$3 Syn Vodkas
$3 Tall Boys
…all night long!

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Venus Magazine: Feminisn’t

April 7, 2010

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In this week’s Reader, Michael Miner interviewed Sarah Beardsley, the new owner of Venus Magazine. It’s jaw dropping. Her mega-millions vision to strip feminism from the print mag’s mission is not only willingly oblivious, but it’s also the latest example of an antiquated arrogance that is killing newspapers, radio stations and magazines. These institutions STILL think they are needed by an increasingly disinterested public, and if it wasn’t so pompous, I’d have a little pity. PREDICTION: Beardsley’s business-boomerang is reaching out to some unspecified female demographic, will miss its ill-defined target and will no doubt swing back around to slice her head off. Miner’s distanced, sly balance of quotes from Beardsley and original Venus founder Amy Schroeder yields deliciously back-handed results; the post delivers eye-opening look into how far removed old-media and its torch-bearers are from the reality that print is dead. Despite getting the “MOVE ONLINE” message from all angles – it’s people like Sarah Beardsley, who think that breathing new life into a corpse is just a crop and re-font away, that make me giggle at the thought of this circulation suicide. Venus is moving forward while ditching it’s roots, a recipe to fall flat on your anti-feminist face if there ever was one.

Fave quotes, in no particular order

From Amy Schroeder, original Venus Founder and current New Yorkist:
I live in New York now, and one of the things I think about is Chicago does a really great job of helping indie projects take off, but sometimes it’s hard to progress beyond a certain point. Not that there aren’t a number of resources there, but there’s a great sense of staying indie—and if you try to move beyond a certain point, people don’t like you anymore.

From Sarah Beardsley, the blind capitalist leading the newest in blind marketing:
That’s the unfortunate thing about feminism. People are scared of the F word. I think when a lot of people nowadays think of feminism they think of sort of the 1970s version of feminist women burning bras and being very intense and setting up lots of rules and structures. I have a great deal of respect for all the feminism movements. It was a very strong political movement and a lot of good came out of it and it took years and years for that good to occur. But I don’t know that people make a direct correlation between that and their doing feminist things—like working. And getting an education. Today more women are getting educations than their male counterparts.

Comment #1, from Minerva:
Can’t we just assume we’re equal and go from there? It’s astounding that anyone even uses such arcane references like feminism. Hey yeah, let’s burn our bras too.. Oh wait, that was done 30+ years ago.

An arts, music and trends magazine for women sounds great — why keep dragging the old feminism thing into it. It assumes that women are still trying to achieve equality. I’m sad if this is the case.

Comment from me, just right here:
I’ve encountered this notion of the word “feminism” having an icy stigma. I remember trying to get some vox-pop, or on-the-street audio for some freelance work, and lots women of all ages tended to shy away from it. It’s really unfortunate, I think. Most telling is that the only times I get positive or at least non-dismissive, eye-rolling reactions to the word is when I tell people I’m a feminist. AS IF it’s a novel concept! Regardless, I do use that opening to discuss why the word isn’t outdated and in fact, still needed as part of the daily reminder our society isn’t ready to move on, in discussion nor in print.

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Thom Yorke This Weekend At The Aragon

April 7, 2010

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Stereogamous

April 6, 2010

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While some of his early originals struck me as too blown-out-Ibiza-white-party-mega-mix, Australia’s Stereogamous‘s latest tracks have been hitting my sweet spot. The right vocal edits, hard bass-lines and running synths have dropped trow with his self-penned “sauna beat,” and some brash outness only thickens the steam. Follow him on twitter @stereogamous to get his latest, grab two below.

Men – Credit Card Babie$ (Stereogamous Bath House Version)

We Have Band – You Came Out (Stereogamous Bath House Version)

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CHIRP Record Fair

April 6, 2010

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If you’ve never been, consider for a sec that aside from the casual, hands-on approach to buying/selling vinyl, the vibe is SO FUN. The large room of like-minded shoppers makes for an awkward acceptance, not unlike that first glee club meeting, or the kids table at a family reunion. Thankfully CHIRP always provides the bonus tracks with beer, food, live bands, all kinds of non-music vendors and a spread of attractive, helpful volunteers. Get it going on April 10th and 11th, the Chicago Journeymen Plumbers Union at 1340 West Washington Boulevard. All the details are available at chirprecordfair.com, including info on early-admission, full line-up and schedule, vendor lists and more.

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