
Salem Invented a New Genre
March 11, 2010Apparently, people are catching on now. The genre is called “drag” and I’m trying to not get irritated. Why? BECAUSE. This is a typical first step towards a mainstreamification of genuine artistic innovation, ALWAYS a dubious prospect in my mind. Pitchfork reported today that a new record label, called Tri Angle (distributed by Kompakt–is this an indie version of major label/small label–my mind is BLOWING UP here) will have a roster that includes the bands Creep (feat. Lauren Flax), Slava and oOoOO, all “drag” artists. Haven’t heard of them? Don’t worry, this is straight up niche-nerd stuff, we’re still in the first wave. It’ll be a couple of years before we hear a “drag” artist break out with some pop-friendly version and then we’ll all remember when and cry “LATE!” In any case, the genre is described by Tri Angle owner Robin Carolan as “”witching-hour vision of Cocteau Twins dream pop, meshed with the soundtrack to a particularly angsty Gregg Araki film full of Gen X shoegazer atmospherics and industrial beats, brought bang up to the date by the influence of raw hip-hop mutations like chopped and screwed and juke.” Pretty much EXACTLY what Salem is–I’m actually sitting here, slapping my forehead thinking about this druggy psychosis as a movement. The small amount of information we actually have about Salem clues us to their addiction/prostitution roots, it’d be shame if there were other bands with the same back story. Conversely, it’d be a shame if there were other bands that just pretended to be like that in order to make some fucked up sounding goth-juke. For now, my eyes and ears are wide open, the label name and it’s first releases have that familiar whiffa GAY.


[...] and fact that it’s just good. But bands like Salem have even been known to be called ‘Drag’ and ‘Rape Gaze’ (mix of ‘shoe gaze’ rock and well, rape). But most music [...]