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Tiesto feat. Tegan and Sara

November 3, 2009

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I’ll really do my best to not have walls and walls of Tegan and Sara posts for the next few weeks. That is however, what happens when The Risen lesbian twins give us a new record that contains the same winning formula that made their last record, The Con, so damn good. Chris Walla of Death Cab for Cutie, is still on the production decks, members of the Rentals still in the backing band and an urgent need for jolted acoustic pop hooks make Sainthood a compelling release. While the first listen was TWO MEHS down, the 2nd listen was way better and the 3rd was making me happy (TIP: listen to it on real stereo speakers and not your computer’s). It’s something that really makes you appreciate the slow ascension of a band–that kind of gradual artistic and commercial development doesn’t happen too often these days. In any case, the record has many pleasures but I’m presently geeked on the their feature on Tiesto’s new album Kaleidoscope. The song “Feel It in My Bones” has the Quinn sisters front and center of a sensitive electro-dance jam, and I know I should focus on their own merits but I’m a sucker for female-emo harmonies over nuanced synth riffs. Stream and download that song below.

Tiesto — Feel It in My Bones (feat. Tegan and Sara)

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I Got My BUTT Calendar

November 3, 2009

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They just put out a little teaser on the web, and I was ready to buy the first BUTT calendar when it was available. After a really shitty month, imagine my amazement when finding the large envelope in the mail today! I immediately KNEW what it was and I hadn’t even ordered it yet! It’s a weekly calendar with photos of men from all over the world, and I’ll go ahead and mention the preponderance of nice-looking Latinos. To keep costs down, the paper stock is a little thin, and each page is totally detachable. Week to week, many of the days have gay anniversaries pre-listed for your hip edification. To name just a few, examples include Harvey Milk’s birthday, the day the U.S. Supreme court struck down a Texas Sodomy law (which was in 2003 WTF), the day Tennessee Williams choked, the first day Leigh Bowery went on display all week at a London art gallery, and the final live show of the Germs. From the press release: From almost every corner of the globe, BUTT fans have submitted their most candid and racy photos, which have then been carefully selected and sequenced over 54 weeks. There’s also a handful of bonus portraits by some of the magazine’s marquee contributors like Bruce LaBruce, Alasdair McLellan and Wolfgang Tillmans. Stay tuned at the BUTT Blog for details on how to get your own!

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COH Announces Trans Awareness Month Events

November 3, 2009

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A whole month of events over at the Center on Halsted for Transgender Awareness month, head over to the calendar for more information.

TRANcinema Film Festival–Tuesdays (Nov. 3, 10, 17, 24) 7:00 PM screenings 18yrs +, $5 Donation

Partners in Transition–Thursdays (November 5, 12, 19 and December 3, 10, 17th) 6:00 PM – 7:30PM

This 6-week group is open to women whose partners are transitioning and identify along a male spectrum. The group will offer support for those who are coping with the changing identity of their partner and their relationship. Topics will include identity, communication, gender, sexuality, culture and social support systems. This group is offered in conjunction with Chicago Women’s Health Center and Center on Halsted. Registration is through the Center. Contact 773.472.6469, ext. 279 for more information or to register.

An Evening with Diane Schroer–Sunday, November 15, 5:00 PM – 7:00 PM

The Center welcomes ACLU-Illinois and Diane Schroer (transgender activist) a woman, who lost a job offer because of her sexual status, and won a groundbreaking federal sex discrimination lawsuit. In 2008 a federal district court judge in Washington, D.C., ruled that the Library of Congress discriminated against Diane Schroer when it offered her a job and then rescinded it after learning she was transgendered. The American Civil Liberties Union, which represented Schroer, said Judge James Robertson’s ruling is the first to hold that the federal sex discrimination statute, Title VII of the 1964 Civil Rights Act, applies to transgendered people.

Fifth Annual Night of Fallen Stars – (A Day of Remembrance) Saturday, November 21, 2009, 5:30-9:00 PM
5:30 PM Reception (with Trans groups and vendors)
7:00 PM Performance
$5 suggested donation at the door

Transgender performers that will include poets, artists, musicians, comedians, dancers and other theatrical performers of all ages. Special appearance by Jaila Simms, the first Transgendered artist to win a reality series MTV/P. Diddy’s “Making His Band” Official member of Bad Boy’s “Dirty Money Crew.

Hosted by Broadway Youth Center, Center on Halsted, Howard Brown Health Center, Illinois Gender Advocates and Equality IL.

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The New Tegan and Sara Video Has Apron Fetish Kookery In It

October 28, 2009

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Reeling 2009 Has TPR All Stars

October 28, 2009

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The 28th annual Queer Film Festival in Chicago, Reeling 2009, is set to go from November 5th -15th and I’m happy to say the roster includes two movies made by folks who have been getting TPR support for years. Fish Out of Water, the documentary by Ky Dickens about the bible and homosexuality, will have its Chicago premiere on Sunday November 8th at 5pm at the Music Box Theater, with post-film reception hosted and sponsored by In Fine Spirits (5420 N. Clark St.). On Wednesday November 11th at 7pm, The Landmark will screen the world premiere of Riot Acts: Flaunting Gender Deviance in Music Performance, a documentary about trans musicians by Chicago’s very own Actor Slash Model. I’m busy combing through the other entries to see what else I’m excited about, but I’m SO HAPPY about these two that I had to post. Stay tuned, will have ticket giveaways soon!

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Hunx’s Junk

October 28, 2009

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Girls, the band, has quite a back story — no actual girls in the band, cult life, shitty parents, drugs, etc. The record is really good — early Elvis Costello CHANNELED. I had always wondered about the first line from the first song “Oh, I wish I had a boyfriend, I wish I had a loving man in my life. I wish I had a father, and maybe then I would have turned out right.” Seems a dramatic intro to a first record, but there’s real autobiography in there. Leave it to timing (see previous post about Hunx and His Punx) to have a new NSFW music video for said song premiere today. “Lust for Life” features Hunx and his erect junk being used as a microphone to lip synch by a twinky bed mate. Of course, Pitchfork features the video and talks about the boobs and the “schlong” but doesn’t mention that it’s Hunx’s. This is the link to the video, remember: NSFW!

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The Worst Amazing

October 25, 2009

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The third album by Katastrophe, “The Worst Amazing,” is out now on 307 Knox Records, and it’s nice to see Rocco Kayiatos expanding his range and palette. He’s always been pretty self-sufficient, with few special guests, self-produced beats, mixing and mastering his own releases. It’s always cool to see the purity of a body of work when it’s done like that: you get an unfiltered view of an artist’s vision. And when you are a fan, that can be ideal. When you are not, it could all the sound the same. “The Worst Amazing” still has only one song with a guest rap (two less than his last record and one more than his first) but the difference is in the sonics. There is a track built on acoustic guitar, dubstep hints, strips of Deltron 3030’s cinematic sweeps and frequent vocal contributions by feminine voices singing hooks (what uP Jenna Riot). The last track is even an electro remix by Sonsfoxy, a welcome 4×4 exit to an otherwise eclectic album. All this and he’s finally enlisted some production help in Shaggy Manatee and easily, this is the best Katastrophe album yet; the big reveal is that collaboration has shown us more of Rocco’s taste: a deceptive oxymoron in the face of singular creative mission. Liz Armstrong once described Katastrophe as “touchy feely,” and yeah he’s still on the expressive side. Recent interviews have him stating that he sometimes considers marketing himself as stealth–it’s the age old question about being an artist first and queer second and the desire to reach people outside of our inner circles. Still, Katas is one of the people behind new trans-masculine print magazine Original Plumbing and is touring, publicizing, facebooking and tweeting about it. That inner conflict, the capital IT for art-making, is right there front and center and that’s what keeps us listening. The exclamation point is that “The Worst Amazing” has found new sounds to keep us dancing, I’m sure Katastrophe wants it like that.

Stream and download a sample track here:

Katastrophe – Tonight

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This Thursday! Leslie HALLoween!

October 25, 2009

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The Younger Lovers Vs. Hunx and His Punx

October 25, 2009

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In our post-Gravy Train!!!! world, there are two solo off-shoots that I’ve been closely watching. Hunx And His Punx seem to get a lot of attention and The Younger Lovers (headed by Brontez, formerly known as Junx) tends to be the other side project. On the surface, they are both doing similar things: whiny, charged classic punk with nods to girl groups and the Ramones. However, a quick glance at the Hype Machine shows 10 Hunx posts and 2 for the Younger Lovers (and just to be clear, those hard numbers low low low for The Hype Machine, TPR is NICHE AUDIENCE, I love you). It’s a shame, really–where Hunx has perfect style, a delish set of limited 7″ singles and is fascinatingly slutty (see: twitter), Brontez writes his own songs, plays all the instruments and he makes his own print zine (Hunx’s songs are written by No Bunny). You could say Hunx is like Kim Zolciak, and Brontez is like Kandi Burruss…J/K. I’m not knocking Hunx – he is delivering the punk rock goods, but their paths split when you take a look at their agendas. Whereas Hunx is looking to get laid and party, Brontez is looking to find community (you don’t make Fag School, his zine, unless you are looking to meet people). Both fit into the spirit of Rock ‘N Roll, but you can’t forget that as a black queer punk Brontez has higher stakes. His hysterical essay in BUTT Magazine #26 was just as horny as Hunx, but there was considerable longing for other black punks in his large U.S. city and there weren’t any. Struggle makes the hustle, being wronged makes better songs and you can hear it. Yes, some of you might want to look past race, but if you count brown folks at indie shows you’ll be done really quickly–the only recent time I’ve seen a direct racial line between artists and fans is when I noticed all the MINI-MY-A’s at the last M.I.A. show I went to. Not even TV on the Radio brings out the black folks. There are cultural barriers between being brown and being punk, and to think otherwise is to be more post-racial than current reality allows. On The Younger Lovers’ “Newest Romantic” LP, casual fly-aways and runaway hooks co-mingle in deeper ways than just appropriation of punk’s historical sounds. He’s got some real angst in there and considering the swing of the hate-pendulum every time queers get a little more on the books, the authentic thrash of an underdog is raw power. Stream and download my fave track from the record below and keep up with Brontez at his blog, Newest Romantic.

The Younger Lovers–Danny

And just to make sure you know I love them both:

Hunx and His Punx–Dontcha Want Me Back (Teenage Fantasy Rip NRG mix)

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Queers in History

October 24, 2009

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I was over at my favorite northside indie book shop, Chicago Comics, when I came upon Keith Stern’s freshly printed encyclopedia, Queers in History. DUH, I needed a copy. With over 900 mini-biographies of people, this guide goes all the way back to 2450 BC. There is a handy index which arranges the entries by date of birth, country of birth and profession, and its first time in print, Stern first published this as a CD-ROM in 1991 (remember those?). So happy that he is still doing this kind of work! The contemporary bios, maybe because we live in such out times, were the least revelatory but maybe that’s also because I’ve been obsessed with outness since I was a grungy kid. There are a few questionable inclusions – the sincere attempt at being comprehensive possibly made room for celebrity mongering. Among those that I shrugged off: Madonna, River Phoenix, Angelina Jolie, and Marylin Monroe. That said, there are hundreds of authors, artists, choreographers and painters that need more queer documentation. For instance, this past year I went to see Alvin Ailey American Dance Theater’s anniversary tour and it started with this retrospective film about Ailey’s life and work. In the 25 minute film, not once did they mention he was gay or that he died of AIDS. As a life-long student of queer life and history, this book is essential as a jumping off point. Sweet!